Like in real life, autism spectrum disorder alone is never the whole story, and Baskin does a good job balancing Jason’s autism with his writing life, family, school, and budding friendship. She’s succeeded in creating an authentic autistic character who is anything but stereotypical.
For all that there are moments when Rose’s voice is nuanced and shines, those nuances continuously pushed aside for a far more stereotypical narrative. This is not the story of an autistic character written for an inclusive audience; this is a story about an autistic character written for a neurotypical audience.
Here is a key insight to creating realistic autistic characters: We do not do the visibly autistic things we do because of “autism,” full stop. Like non-autistic people, we are responding to our experiences of the world. Those experiences simply differ from those of non-autistic people.
Which are our contributors’ least favorite disability tropes?
All too often, portrayals of disability in literature mirror the common assumption that disability signifies helplessness.
The toughest chapter to write in El Deafo, by far, was the chapter in which I reject sign language.
What is it like to grow up with dyscalculia? And how might a character experience it?
s.e. smith’s rave review of Wild Awake was one of the very first posts on this blog. We invited s.e. and author Hilary T. Smith to discuss books, mental illness, and everything in between.
Writing disability respectfully can be difficult, especially in the midst of large, seemingly contradictory conversations about representation. How should frustrated or concerned authors approach this?
Although Laureth didn’t represent me as a blind person, Sedgwick didn’t feed off tropes and stereotypes; instead, he met with many young blind people and found out about their lives.