Review: One-Handed Catch by M.J. Auch
I regularly recommend One-Handed Catch as the best book for young people about limb deficiency because it captures two big aspects of life with one fewer limb: humor and problem solving.
I regularly recommend One-Handed Catch as the best book for young people about limb deficiency because it captures two big aspects of life with one fewer limb: humor and problem solving.
Princess Tilda does not demonstrate the need to “overcome” her clubfoot, that word many of us in the disability community have come to loathe. To me, Tilda represents a new kind of heroine, who is strong and doesn’t need saving, but also acknowledges and shows her vulnerability and insecurities.
Though I would have liked more disability details woven into the story, I relate to and applaud the author’s portrayal of cerebral palsy overall.
A princess with a clubfoot. Who can resist? We can’t, and apparently the Schneider Family Book Award jury couldn’t, either. Merrie Haskell’s 2014 win of the award was just one of the reasons we wanted to discuss her MG fantasy novel Handbook for Dragon Slayers with her.
What kind of tips do our contributors have for authors seeking to respectfully write disabled characters?
If our contributors could tell an author writing a character with their disability one thing–besides “do your research”–what would it be?
All too often, portrayals of disability in literature mirror the common assumption that disability signifies helplessness.
When characters with disabilities are portrayed as inspirational or overcoming obstacles just for living their daily lives, it sends a message that a life with a disability is a burden. What message does that send to young people?
Did you know in the US it’s illegal to drive within six months after having a seizure? Even under supervision, even just around the block, I wasn’t trusted behind a wheel.
We’re wrapping up Autism on the Page, and announcing our next exciting event—a week of posts focusing on representation of mental illness.