Discussion: Magical Disabilities
When we talk about disability and sci-fi/fantasy, the first thing many will think of is the magical disability trope. But what does this trope entail and imply? And how can you subvert it?
When we talk about disability and sci-fi/fantasy, the first thing many will think of is the magical disability trope. But what does this trope entail and imply? And how can you subvert it?
You’re Welcome, Universe author Whitney Gardner sits down with Andrea Shettle and site editor Natasha Razi to discuss her debut novel!
We’re looking to expand the Disability in Kidlit team, as the website has grown in popularity in recent months and we’re working on exciting new projects.
Pete’s autism is portrayed over and over again as being non-stop pain and suffering. That got incredibly hard to read; do people really think this is what autism is like?
Like in real life, autism spectrum disorder alone is never the whole story, and Baskin does a good job balancing Jason’s autism with his writing life, family, school, and budding friendship. She’s succeeded in creating an authentic autistic character who is anything but stereotypical.
Today we get most forms of entertainment at the push of a button, so we tend to hate having to wait. The situation is even worse if you can’t read print—resulting in an endless waiting game for blind readers.
Although the book was fun and interesting in places, the disability aspect was very much a freak-show presentation of disability and the disabled experience.
When Deenie was first published, it may well have been a positive representation of the experience of a child with scoliosis, but it hasn’t held up well.
Everything, Everything starts out as a respectful, sensitive narrative with incredibly likable characters, but ends on a shockingly disappointing note in terms of disability representation.
A snarky New York Times column referred to CFS as “yuppie flu,” and oh, it was hilarious. Those silly rich people imagining themselves sick!