Review: Omegaball by Robert J. Peterson
I was intrigued by the virtual-reality premise, but this book is a veritable hotbed of misogyny and a case study in how not to write a wheelchair-using character.
I was intrigued by the virtual-reality premise, but this book is a veritable hotbed of misogyny and a case study in how not to write a wheelchair-using character.
Kayla Whaley talks with thirteen-year-old activist and author Melissa Shang about her recent middle grade debut.
The most common wheelchair-using character has acquired paraplegia, but why is this particular narrative so prevalent, and at the expense of all others?
We take a close look at the state of recognizable representation of visibly disabled characters on book covers.
To help authors make informed decisions about what language to use, we talk about disability terminology–from outdated words and cringe-worthy phrases to straight-up ableist slurs, and everything in between.
Magic and technology often minimize disability in SF/F. How can authors meaningfully engage with disability and the ways that speculative elements can affect disabled characters?
When we talk about disability and sci-fi/fantasy, the first thing many will think of is the magical disability trope. But what does this trope entail and imply? And how can you subvert it?
Linette is more a convenient plot device than a protagonist, and disabled readers deserve more. Young Knights of the Round Table is a prime example of incidental disability done wrong.
We have so few stories—especially lighthearted ones—with wheelchair-using characters that I’d hoped I’d be able to recommend I Funny, but it’s a dangerous narrative wrapped up and presented as “good messages.”
If our contributors could tell an author writing a character with their disability one thing–besides “do your research”–what would it be?