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Review: Me and Earl and the Dying Girl by Jesse Andrews
“I learned absolutely nothing from Rachel’s leukemia,” this book’s protagonist starts off in its in-universe foreword, and I grinned and said, “YES! This is going to be good.”
“I learned absolutely nothing from Rachel’s leukemia,” this book’s protagonist starts off in its in-universe foreword, and I grinned and said, “YES! This is going to be good.”
Despite noticing some minor inaccuracies and overlooked details, I’m very impressed with the effort the author put into creating an accurate portrayal of the autoimmune condition ITP.
This is a fast-paced, easy read that would appeal to crime lovers of any age. However, I had a hard time reading this story, primarily because Penelope’s ITP is exaggerated and sensationalized.
It felt like the author used Moritz’s echolocation as a way of avoiding a realistic portrayal of blindness; too many tired blindness tropes popped up throughout the book for me to love and champion it the way others have.
We’re excited to announce our first event of 2016: from March 14 to 27, join us for all kinds of posts about disability in science fiction and fantasy!
I have to accumulate all the data from these varying experiences and use them to define myself. Otherwise, others will do it for me.
The pain of being the butt of someone else’s joke comes back to me whenever I read fiction that depicts characters on the autism spectrum who repeatedly take idioms and other expressions literally, or fail to understand the double meaning of words in embarrassing ways.
We’ve been wanting to shake hands with the good folks of the Schneider Family Book Award–an ALA award which highlights depictions of disability in children’s literature–for a while, and July 2014 marked the perfect time: while we celebrated our first anniversary, the Schneider celebrated its tenth!
We take a moment to look back at our favorite posts and reads of the year, and to look ahead to the substantial changes 2017 will bring at Disability in Kidlit.
What’s missing here is not any aspect of how the autistic character is depicted, per se—what’s missing is something subtler in the narrator’s depiction, and in her point of view.