Discussion: If We Could Tell an Author One Thing …
If our contributors could tell an author writing a character with their disability one thing–besides “do your research”–what would it be?
If our contributors could tell an author writing a character with their disability one thing–besides “do your research”–what would it be?
Eric Lindstrom wrote an excellent portrayal of a blind teenage girl, so we’re happy to invite him to the site to discuss his approach, blindness tropes, and more.
After second grade, I stopped reading most books unless they were assigned for class. Even then, I often didn’t read them. The reason being, when I read a sentence, I often didn’t understand it. Somewhere between my eyes seeing the words and my brain, the phrase disappeared into the ether.
In science-fiction and fantasy, you invariably run into fictional disabilities and allegories. Do these “count” as disability? What makes them work successfully in a book?
The “autism voice”—characterized by narrative devices and a detached character voice—tends to portray autistic characters as unworldly, hyper-rational blank slates defined purely by a series of unusual behaviors.
What kind of tips do our contributors have for authors seeking to respectfully write disabled characters?
Parker Grant is a complex, flawed character whose blindness was handled realistically; a big part of her life, but not the only part of her life. This is definitely a book I will be recommending.
While some elements of the representation were handled decently, I ultimately wasn’t a fan.
Skim does a good job of showing misguided attempts to help those with depression, and lets the reader see the absurdity for themselves.
The portrayal of epilepsy in this book was frustrating and disrespectful. People with epilepsy deserve better than this.