Review: The Rest of Us Just Live Here by Patrick Ness
Despite reservations about the ending, I would recommend The Rest of Us Just Live Here; it’s a welcome addition to YA novels involving OCD and anxiety.
Despite reservations about the ending, I would recommend The Rest of Us Just Live Here; it’s a welcome addition to YA novels involving OCD and anxiety.
An emotionally wrenching book, but a worthy one, and one that treats its autistic protagonist with every bit of the realism and respect that she deserves.
Six of Crows portrays disability with incredible nuance; it’s realistic, respectful, and perfectly integrated into the characters and story.
Jacobus nailed the struggle with addiction, she nailed physical limitations, she nailed alcoholic and disability-related depression, she nailed the chaos of the active alcoholic, and she nailed the hopelessness and despair that can come from all of it.
Our reviewers interview author and Disability in Kidlit editor Corinne Duyvis about disability tropes, survival in the apocalypse, and writerly research.
We sat down with NYT bestselling author Leigh Bardugo to talk about her most recent series, its depiction of disability, and more!
Audiobooks are an essential part of making reading as accessible as possible, so we’re excited to sit down with marketing manager Jennifer Rubins and head of production Dan Zitt and talk about the behind-the-scenes process of audiobooks.
Many characters who may be mentally ill reject treatment out of hand, considering therapy a waste of time and suspecting medication will turn them into a zombie. Why are these narratives so popular? What are the alternatives?
After the first two books in Jackie Morse Kessler’s Riders of the Apocalypse series—Hunger, about a girl with anorexia, and Rage, about a girl with depression—were so positively reviewed on the blog, we were incredibly excited to invite the author over for a joint interview.
Writing about characters with mental illness can be challenging in various ways. How do you accurately convey a character’s state of mind, without compromising on clarity or excitement? How do you show a character’s skewed perceptions of the world?