
Review: The Half-Life of Planets by Emily Franklin and Brendan Halpin
While some elements of the representation were handled decently, I ultimately wasn’t a fan.
While some elements of the representation were handled decently, I ultimately wasn’t a fan.
Speculative fiction is work that focuses on difference, work that immerses us in it. But the choices we make when building a fictional world can reflect on the world that we live in now. So how do we worldbuild with disability in mind?
There are many different ways an author can express a sign language on the page; let’s take a closer look.
Wonderstruck is wonderful. It is, to date, the most creative and ambitious novel about the d/Deaf experience in America I’ve ever come across.
People like Early do exist, and it’s great to see historical fiction that includes a disabled character, but Early gets a little too close to the trope of the magical or extra-special autistic for my comfort.
The writing and characters are wonderful, but if you’re looking for a book about depression, I’d pass on this one.
I used to think there would be a magical cure for my blindness. I don’t remember this, but my mother assures me it’s true.
We take a close look at the state of recognizable representation of visibly disabled characters on book covers.
Many characters who may be mentally ill reject treatment out of hand, considering therapy a waste of time and suspecting medication will turn them into a zombie. Why are these narratives so popular? What are the alternatives?
The most common wheelchair-using character has acquired paraplegia, but why is this particular narrative so prevalent, and at the expense of all others?