
Review: Say What You Will by Cammie McGovern
Although the book was fun and interesting in places, the disability aspect was very much a freak-show presentation of disability and the disabled experience.
Although the book was fun and interesting in places, the disability aspect was very much a freak-show presentation of disability and the disabled experience.
After the first two books in Jackie Morse Kessler’s Riders of the Apocalypse series—Hunger, about a girl with anorexia, and Rage, about a girl with depression—were so positively reviewed on the blog, we were incredibly excited to invite the author over for a joint interview.
I used to think there would be a magical cure for my blindness. I don’t remember this, but my mother assures me it’s true.
Though I would have liked more disability details woven into the story, I relate to and applaud the author’s portrayal of cerebral palsy overall.
This book portrays its autistic protagonist in ways that will give readers negative, incorrect, and in some cases abusive ideas about autistic people.
What about readers like me, who never see their own illnesses depicted? To see story after story where depression draws a straight line to suicide is, for better or for worse, expressing that depression only functions in one way.
The writing and characters are wonderful, but if you’re looking for a book about depression, I’d pass on this one.
This book was awarded the National Book Award for Young People’s Literature, but as well intentioned as it might have been, it was clearly written by someone with almost no understanding of what Aspies are really like—it was written by and for a neurotypical audience.
Some people call OCD a doubting disease. Corey Ann Haydu infuses her story with the back-and-forth, pulsing presence of this doubt, resulting in a first-person, insider’s account of what the condition feels like for many.
We take a close look at the state of recognizable representation of visibly disabled characters on book covers.