Review: Wonderstruck by Brian Selznick
Wonderstruck is wonderful. It is, to date, the most creative and ambitious novel about the d/Deaf experience in America I’ve ever come across.
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Review: What I Couldn’t Tell You by Faye Bird
All the way through the book, I felt that something was slightly off with the portrayal of Tessie’s selective mutism, but in a way that made it hard to pin down.
Review: She Is Not Invisible by Marcus Sedgwick
Although Laureth didn’t represent me as a blind person, Sedgwick didn’t feed off tropes and stereotypes; instead, he met with many young blind people and found out about their lives.
Review: Because You’ll Never Meet Me by Leah Thomas
It felt like the author used Moritz’s echolocation as a way of avoiding a realistic portrayal of blindness; too many tired blindness tropes popped up throughout the book for me to love and champion it the way others have.
(Not) Engaging with Disability: Convenient Approaches in SFF
Magic and technology often minimize disability in SF/F. How can authors meaningfully engage with disability and the ways that speculative elements can affect disabled characters?
Interview with Shannon Hale about Dangerous
A one-armed astronaut superhero is the lead in Dangerous, the unusual new novel by NYT bestselling and Newbery Honor-winning author Shannon Hale, who sat down with us for a great interview.
Interview with April Henry about Girl, Stolen
April Henry’s main character in Girl, Stolen is a well-researched, well-written example of blindness, and we were thrilled to discuss the book with her.
Interview with Cindy L. Rodriguez about When Reason Breaks
After our rave review of Cindy Rodriguez’s debut When Reason Breaks—about two very different girls who are both dealing with depression—we were excited to invite both reviewer and author to the website this week to discuss the book further.
Discussion: Inspiration Porn
How do our contributors define the dreaded concept of “inspiration porn,” and how do they feel about it?
Writing Autistic Characters: Behaviorizing vs. Humanizing Approaches
Here is a key insight to creating realistic autistic characters: We do not do the visibly autistic things we do because of “autism,” full stop. Like non-autistic people, we are responding to our experiences of the world. Those experiences simply differ from those of non-autistic people.