
Trends in Autism Kidlit Marketing
Marketing departments choose to focus a book in a certain way when they write these summaries, and summaries for kidlit featuring autism often seem to focus on the same things.
Marketing departments choose to focus a book in a certain way when they write these summaries, and summaries for kidlit featuring autism often seem to focus on the same things.
ADD isn’t an end of the world big deal. It’s really, really not. But it is a deal, it’s a thing. It’s a disability. It puts you on a different default setting.
Diversity in children’s literature is often represented as an either/or, without intersectionality; characters can either be autistic or gay, for example, or a wheelchair user or Black, but rarely both. Why is that?
What about readers like me, who never see their own illnesses depicted? To see story after story where depression draws a straight line to suicide is, for better or for worse, expressing that depression only functions in one way.
What kind of tips do our contributors have for authors seeking to respectfully write disabled characters?
Magic and technology often minimize disability in SF/F. How can authors meaningfully engage with disability and the ways that speculative elements can affect disabled characters?
Is any representation better than no representation? That argument frequently comes up in response to criticism, but is it valid?
A snarky New York Times column referred to CFS as “yuppie flu,” and oh, it was hilarious. Those silly rich people imagining themselves sick!
Autistic people learn, change, and cope like anyone else. However, when a character is autistic, many authors appear to see only one route for character growth: effectively making the character less autistic.
Did you know in the US it’s illegal to drive within six months after having a seizure? Even under supervision, even just around the block, I wasn’t trusted behind a wheel.