It wasn’t until I was an adult that I could finally understand that from the time of my diagnosis, my education was not going to be “complete,” because I did not have the full access I needed. It was as if intensive speech therapy and itinerant teachers were more important than having a sign language interpreter in my classes.
Predictably, many of the tropes relating to D/deaf and hard of hearing characters deal with communication methods and degree of hearing loss. Most, if not all, of these tropes have to do with people’s assumptions and wishful thinking about hearing loss.
A mistake I see a lot of writers who write about disability make is asking only one person for help. I’ve heard so many people say things like, “I have a cousin who is blind, and she read the book and said it was good at portraying blindness.”
Here’s the thing no one tells you about people with a medical condition: The disease is always on their mind, but they don’t always want to think about it.
The pain of being the butt of someone else’s joke comes back to me whenever I read fiction that depicts characters on the autism spectrum who repeatedly take idioms and other expressions literally, or fail to understand the double meaning of words in embarrassing ways.
Blind characters seem to always go too far in either one direction or the other—either completely ruled by their disability, or completely unfazed. The truth is, I hate both, because neither is honest.
Severe, chronic vertigo associated with migraines like mine is a “silent” disability, one people can’t see. Many people are compassionate. But others lack sensitivity, assume you’re faking it or just have a headache and will get over it.
There are many different ways an author can express a sign language on the page; let’s take a closer look.