The State of Disability on Book Covers
We take a close look at the state of recognizable representation of visibly disabled characters on book covers.
We take a close look at the state of recognizable representation of visibly disabled characters on book covers.
There are many different ways an author can express a sign language on the page; let’s take a closer look.
s.e. smith’s rave review of Wild Awake was one of the very first posts on this blog. We invited s.e. and author Hilary T. Smith to discuss books, mental illness, and everything in between.
A Q&A with author Corey Ann Haydu about the origins of OCD Love Story and the many and varied ways anxiety can manifest.
Heidi Heilig and S. Jae-Jones sit down to talk about the book’s portrayal of bipolar disorder, writing mental illness, and writing with a mental illness.
When we see institutions in YA, we usually see them in one of two contexts: a “sane” person wrongly incarcerated in one, or a spooky (often old, sometimes abandoned but haunted by ghosts) asylum filled with “crazy people.”
Autistic people learn, change, and cope like anyone else. However, when a character is autistic, many authors appear to see only one route for character growth: effectively making the character less autistic.
Magic and technology often minimize disability in SF/F. How can authors meaningfully engage with disability and the ways that speculative elements can affect disabled characters?
Today we get most forms of entertainment at the push of a button, so we tend to hate having to wait. The situation is even worse if you can’t read print—resulting in an endless waiting game for blind readers.
An estimated 1 in 7 women suffer from chronic pelvic pain; it’s bizarre and disappointing that despite these statistics, there are distinctly zero characters with this condition.