Review: Centaur Rising by Jane Yolen
Despite elements that I saw as didactic or inauthentic, there is a lot that kids will like in this book.
Despite elements that I saw as didactic or inauthentic, there is a lot that kids will like in this book.
Like in real life, autism spectrum disorder alone is never the whole story, and Baskin does a good job balancing Jason’s autism with his writing life, family, school, and budding friendship. She’s succeeded in creating an authentic autistic character who is anything but stereotypical.
Here is a key insight to creating realistic autistic characters: We do not do the visibly autistic things we do because of “autism,” full stop. Like non-autistic people, we are responding to our experiences of the world. Those experiences simply differ from those of non-autistic people.
Writing disability respectfully can be difficult, especially in the midst of large, seemingly contradictory conversations about representation. How should frustrated or concerned authors approach this?
What is it like to grow up with dyscalculia? And how might a character experience it?
Eric Lindstrom wrote an excellent portrayal of a blind teenage girl, so we’re happy to invite him to the site to discuss his approach, blindness tropes, and more.
A snarky New York Times column referred to CFS as “yuppie flu,” and oh, it was hilarious. Those silly rich people imagining themselves sick!
Hunt captures the inner confusion when you aren’t getting something everyone else grasps easily that is a pre-diagnosed dyslexic’s life. Ally’s situation conjured up so many memories at first that it was hard for me to read, but the reward was great.
I Was Here is full of wasted potential; Meg is as much of a prop to the story as Mr. Body is to Clue.
Stoner & Spaz is funny and often unafraid of ambivalence, and I feel similarly ambivalent: liking a lot of what I got, yet wanting more of the stuff between the lines of what Ben says and does.